Everything is Illuminated. Jonathan Safran Foer. Here is a link to Amazon.com, where you can buy a copy right now.
Everything is Illuminated more or less chronicles the journey of a young Jewish man (interestingly named Jonathan Safran Foer--but this is a novel, mind you) as he returns to the Ukraine to find the woman who saved his grandfather from the Nazis. That is only one facet of the plot. Also, there is Alex, his interpreter, whose broken English does many brilliant things for the English language. Here are the first few sentences of the book (from the first chapter, titled "An Overture to the Commencement of a Very Rigid Journey"), which immediately won me over:
My legal name is Alexander Perchov. But all of my many friends dub me Alex, because that is a more flaccid-to-utter version of my name. Mother dubs me Alexi-stop-spleening-me!, because I am always spleening her. If you want to know why I am always spleening her, it is because I am always elsewhere with friends, and dissemating so much currency, and performing so many things that can spleen a mother.It only gets better from there. But also, there is the story of the village of Trachimbrod--all of these weave in and out, and create a complex plot that is beautiful and terrible at the same time. Never has a book made me giggle so madly out loud, and also cry--not sniffle, but cry, snot and sobbing and all--in under three hundred pages.
That said, you can imagine my sheer, uncontainable joy when I heard that he had a second novel out--the only thing that kept me from rushing out right then to buy it was my incurable frugality and my dislike of hardback books. I waited. And waited.
And went to Village Books last weekend to find that, after a whole year (dumb publishers), EXTREMELY LOUD & INCREDIBLY CLOSE was at last released in paperback.
I literally did a dance in the bookstore. A little shuffle, as a matter of fact, that vaguely resembled soft-shoe, but with some ecstatic little hops and kicks.
However, I've said nothing about the book so far. I will now:
Here is a link where you can buy EXTREMELY LOUD & INCREDIBLE CLOSE (in paperback). I suggest you do it now.
Nine-year-old Oskar Schell finds a mysterious key that belonged to his father, who was killed in the World Trade Center on 9/11. He sets out to find the lock it belongs to. He searches all over New York with only one clue (the word "Black") to guide him.
That, more or less, is the story. But also, there is a family history, a missing grandfather, a grieving mother, the flickering memory of Oskar's father, and his grandmother. There is the bombing of Dresden. There are the people Oskar meets all over New York--his neighbor, who is 103-years-old; the woman who lives on the observation deck of the Empire State Building; the woman who is the 467th richest person in the world.
But it's no good summarizing this novel--too much happens, it is too layered and complex. I loved it, absolutely, and what I loved about it most was Foer's manner in looking directly at tragedy, terrible, terrible tragedy, with some small shred of hope. But of course I loved Oskar, who looks to Stephen Hawking as a role model, who knows about conjugating French verbs but doesn't know about Winston Churchill, and who can calculate in seconds exactly how many locks there are in New York city--how many per person, how many created each second.
Where he experimented with language in Illuminated, Foer now adds visuals to his text--photographs, color, blank pages showing a single, well-said sentence. At first I was not sure that this worked, but now I am sure, and it did not take long to convince me. I think they are brilliant, those images.
Foer is only twenty-sevenish, by the way.
And his second novel did not dissappoint. I suppose, when the third novel comes around, I'll pass out in the bookstore from sheer joy, but until then, I'll go around recommending Everything is Illuminated and EXTREMELY LOUD & INCREDIBLY CLOSE to everybody I know.